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Space Jam remains as much a part of Jordan's legacy as his take-off from the free-throw line at the 1988 Slam Dunk Contest or his winning basket in Game 6 of the 1998 NBA Finals. However, Jordan did go on to make a special appearance in 2021's Space Jam: A Legacy, starring LeBron James. During a basketball camp Q&A in 2006, Jordan stressed how difficult it was trying to act with characters that would be drawn in later, adding, "I don't want to do that again." And after finishing his NBA career with six titles, and seeing his net worth swell to an estimated $1.6 billion by April 2021, it's clear he didn't need the burden of headlining a studio franchise to achieve staggering success. It's easy to understand why from his limited public comments on the topic. The results prompted immediate talks for a Space Jam 2-and while Jordan was rumored to be along for the ride, he ultimately wanted no part in a sequel. Space Jam marked another feather in his cap, as it went on to earn $230 million globally, launch a hit soundtrack and generate $1.2 billion in merchandise sales. Jordan turned down an opportunity to star in a sequelīy the time the finished film hit theaters in November 1996, Jordan had reestablished himself as the best basketball player in the world and an NBA champion. The facility was designed, per Space Jam technical adviser Nigel Miguel, "for not to have to leave if he didn't want to."
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gym by fellow elite talents like Magic Johnson, Grant Hill and Reggie Miller, with A-list celebrities dropping by to watch what amounted to a series of NBA All-Star games every night.Īlong with the basketball court and weight room, the dome featured an entertainment center and a putting green for the golf-loving Jordan. Jordan and his Space Jam co-stars Charles Barkley and Patrick Ewing were soon joined at the Warner Bros. The competition not only gave Jordan an outlet to blow off steam following a day immersed in a surreal green world it enabled him to push his body back into prime basketball shape after his detour into baseball. Every day, Jordan would slip away during lunch break to pump iron with his trainer, and after shooting wrapped at 7 p.m., he would return to the "Jordan Dome" to play basketball for another two to three hours.
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Of course, the entire experience wasn't a drag for Jordan, who saw his wish for easy access to a training facility granted in the form of a custom-built gym on the Warner Bros. Jordan used his down time to work on his basketball skills
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Pytka later praised Jordan's work ethic though the six weeks of 12-hour shooting days, though he separately noted how he believed Jordan " hated the whole experience." Of particular irritation was the studio's habit of allowing people not connected to the production onto the grounds to meet the basketball star, which prompted Jordan to vent to his director about being used as a publicity pawn. According to the director, Bill Murray was originally only supposed to appear in the beginning of the movie, but the funnyman requested - and received - an expanded role when he saw how well production was faring.
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But Pytka and the various art and animation heads plugged through script and scene changes while keeping Jordan focused on his task. Nobody knew if this frenzied process featuring a neophyte actor and cutting-edge technology would ultimately work. Basketball pros served as stand-ins for the Monstars, the bad-guy alien team, and improv actors scurried around on their knees to provide a sight line for the shorter Loony Tunes, all to be eventually replaced through digital animation. To help Jordan through the challenging process of interacting with cartoon characters, Pytka had performers dress in green suits and act out the parts in a 360-degree greenscreen set equipped with motion-tracking markers. Fox and Chevy Chase for the role of publicist Stan Podolak (which eventually went to Seinfeld's Wayne Knight) and turned down Spike Lee's offer to polish the script. Carter as a performance coach, and he shielded the basketballer from the studio politics that rejected Michael J. Photo: MARK PHILIPS/AFP via Getty Images The basketball star had to adjust to the production's unique challengesīy the time Jordan was set to begin shooting in summer 1995, Pytka - up to his neck in complicated animation logistics - devoted much of his attention to the well-being of his flesh-and-blood star. Filmmaker Ivan Reitman and Michael Jordan pose with a Bugs Bunny cutout.